Creative Saskatchewan changes to book publishing production grant leave 40 Sask publishers out in cold

DriverWorks Ink is extremely disappointed that Creative Saskatchewan (CS) has chosen to stop accepting book publishing production grant applications for any book that is published with use of author funds. Due to this change in criteria and because of our business model, DriverWorks Ink will no longer be eligible to apply for book publishing production grants from Creative Saskatchewan. As a writer, author, editor, book publisher, entrepreneur, and former journalist, I am frustrated enough to write about this appalling, unexplained turn of events.

DriverWorks Ink is a hybrid book publisher that, since 2008, has worked in partnership with authors to publish books about Prairie people written by Saskatchewan and other Prairie writers. We have been successful in obtaining funding for more than a dozen books in the last five years. This makes it especially disheartening to be told that our product is no longer good enough to even apply.

Most of our books which received grant money returned a profit (income over production costs), and many of them were profitable within the first six months to a year. Our profits come from book sales, with authors receiving royalties from those sales. Our goal is profitability. Commercial viability is the original main goal of the production grant.

Six of these nine of our CS-grant-receiving books that were published with author investment have also won awards.

With Creative Saskatchewan’s announcement on April 16, 2018, the grant’s name also changed from Creative Industries Production Grant to Book Publishing Grant. In my jaded view, this more clearly singles out book publishing and, it feels to me, takes aim at significantly reducing the number of wonderful, important books published in this province. I will not say that it will sound a death knell to our book publishing industry – we are stronger than that – but it will change the landscape significantly. Not in a good way.

The new eligibility criteria for the CS Book Publishing Grant means that only five or six of the 45 book publishers in Saskatchewan will have eligible book projects. It means that 40 of the publisher members of SaskBooks/Saskatchewan Publishers Group, including DriverWorks Ink, will no longer be eligible to apply for book publishing production grant support from Creative Saskatchewan as most, if not all, of their published books include income investment from authors. Although we may still apply for funding to assist with marketing and business capacity development, many amazing Saskatchewan-based books will not be published because of lack of funds, and there will be little point in marketing or growing a business that has no new product.

The new criteria states that books with support from the Canada Book Fund (federal funding) may be eligible for “fast-track” approval without jury adjudication. Creative Saskatchewan’s website states: “Our investments propel creative entrepreneurs as they create, innovate, expand, and perform, in their pursuit of commercial success.” While I support funding from provincial granting agencies for any worthwhile book projects, I am extremely concerned that this change to Creative Saskatchewan’s book publishing fund provides potentially guaranteed funding for book projects subsidized by other agencies and not even a consideration of funding for entrepreneur models that have a good book to publish which will sell commercially and add to the province’s GDP – which are three of Creative Saskatchewan’s mandated goals.

The Book Publishing Grant’s new criteria requires that eligible applicants must have been in operation for two years and have four eligible (read “with no author funds”) titles in print essentially blocks our industry’s growth because actual entrepreneurs and those starting in the industry have no access to funding support. It goes against why Creative Saskatchewan was set up in the first place.

This province, unlike the other jurisdictions in Canada, has never made a practice of supporting trade publishing (which is the general-audience scope for most of the DriverWorks Ink books), so trade publishing had to come up with an alternative model which includes hybrid and self-publishing.* (*See Addendum below.) That model in Saskatchewan has become an accepted practice in the industry across North America, but Creative Saskatchewan’s guidelines seem to be ill-advisedly supporting only publishing projects which may already receive product investment from the public sector. Why is that? 

I am concerned for the future of our vibrant book publishing industry in Saskatchewan, in which I have worked for the past 17 years. I have watched it grow in strength and quality and I am grateful to Creative Saskatchewan for assisting with some of that growth. More than 100 books are published annually in Saskatchewan – most of them by the smaller publishing houses. I fear that the numbers will decrease significantly because of this change in the grant program, important cultural books will go unpublished and businesses will close their doors.

When I was a board member of SaskBooks, the creative industry member organization for publishers in the province, I spent dozens of hours at the board table with various representatives of Creative Saskatchewan, many of whom had come to CS from other creative industries and knew very little about book publishing. I thought we had provided education on the diverse and commercially viable business models in the publishing sector and how our member publishers collectively believe that funds coming in from one source versus another is irrelevant to the stated goals of the grant – commercial viability and growing the province’s GDP. I thought we had proven time and again the value of our member organization’s programs and processes.

I love Saskatchewan, which is built on the entrepreneurial spirit, and I am deeply concerned by this withdrawal of support for valuable books produced by entrepreneurs. I ask Creative Saskatchewan to reconsider this decision.

Creative entrepreneurs focussed on the commercial success of their published books and businesses are being excluded from the publishing grant application process. It’s time to correct this error and do it quickly. We have stories to tell and we want your help to do so, Creative Saskatchewan. 


* Added April 18, 2018: Every other provinces in Canada supports the publishing of trade books through various forms of provincial funding. For example, a publisher of tourism books in Alberta and British Columbia is eligible for provincial funding. In Saskatchewan, Parkland Publishing has published numerous award-winning, best-selling tourism books about Saskatchewan but is no longer eligible to apply for a book production grant. In Manitoba, a publisher who produces non-fiction trade books similar to those of DriverWorks Ink is eligible for provincial funding to help with infrastructure and business expenses. There is no such support from the Saskatchewan government for DriverWorks Ink or other small publishers. Business models such as hybrid publishing or self-published-author publishing grew here to keep the industry active and to publish more Saskatchewan-based books for our readers.

About 30 authors per year plus numerous artists, graphic designers and printers are affected by this withdrawal of Saskatchewan funding availability. Recently, the Writers Guild of Canada opened up membership eligibility to self-published authors. The library system in Greater Vancouver launched a campaign of awareness of self-published authors because they noticed so many self-published books of quality coming into their libraries. The change is happening across Canada to recognize books based on content and quality, not on input funding methods. Self-published authors and hybrid publishers have submitted production grant applications to Creative Saskatchewan in the past only for books of quality that are marketable and will turn a profit, as required by the former criteria. It is irrelevant whether the publisher's funding comes from a federal grant, the business itself, a gift of funds, a GoFundMe page, or somewhere else.

Please share this information. Please comment on it.

Please support all Saskatchewan publishers (and our authors), including hybrid publishers and self-published authors.

Please contact Creative Saskatchewan, your local media, the Ministry of Parks, Culture and Sports, and/or your local and provincial politicians to tell them you want funding continued for all Saskatchewan publishers, without discrimination against their business models or input funding methods.

A Regina Leader-Post newspaper article about the cuts is here.

Send Us Your "Fun On The Farm" Stories

Your farmer brother has an unusual way of feeding the cattle and it makes you laugh every time you see it.

Your farmer cousin follows a specific, curious ritual when she drives the grain truck or takes lunch to the men in the field, and it cracks you up.

You yourself have had more than your share of funny mishaps and adventures on the farm where you grew up, and you're dying to tell someone about them! Well, this is your chance.

With the successful launch of our Cream Money book and the talk in the community that this book has already inspired among Prairie people who have heard about it, DriverWorks Ink is pleased to invite you to share more of your short stories (or poems) for the Fun ON the Farm non-fiction book we plan to publish in Spring 2016.

Fun ON the Farm is the working title for our planned book about funny things that have happened on Canadian farms. We invite you to tell us about TRUE events, interactions, people, or pranks that have happened to you or someone you know related to life on a farm in Canada. We want names, dates, and all the funny details.

We want to make readers giggle, shake their heads in wonder, or downright belly-laugh when reading this book.

Did you get the tractor stuck in a muddy field and spend an hour weighing the options of walking home to get help versus staying with the tractor to postpone the inevitable reprimand? Did you fall into a sewage-filled slough to retrieve your glasses while playing a game of tag with a younger sibling? (Both of these happened to me, by the way.)

Please write your own Fun ON the Farm story or invite someone you know to share their story with us. Stories should be from 500 words to 1,500 words. Photos may be submitted upon acceptance of your story. Please provide us with your name, address, phone number, and email address, as well as the names, dates, location and other details of the people and places in your story.

It would be best to ask the permission of the people you are naming in your story before you send us the story, but it is most important that the story be true and humorous - and not nasty or libellous. You can get around using real names by using phrases such as "a woman I'll call Betty" or "a neighbour of mine." I'll help you with that process once we accept your story for publication in our book.

Please send your submissions before May 27, 2016, by email to: ddriver@sasktel.net or by mail to: DriverWorks Ink, 110 McCarthy Blvd. N., Regina, SK S4R 6A4.

Please phone DriverWorks Ink at 306-545-5293 if you have a story to share but you do not wish to write it yourself. I will be happy to do the writing and help you share your story in that way.

Please note that all submissions will be accepted but not all submissions will be published. Those whose stories are published will receive two complimentary copies of the book and will be able to purchase more copies at a 40% discount.

We may decide to make a donation from the book proceeds to a worthwhile charity, but we have not yet discussed that concept for this project.

The family farm where I toiled as a child (Woe is me!) in Alberta.

Thank you in advance for your interest in this book. We look forward to receiving your stories. 

Have fun with it! 

Cream Money book launch among the best for DriverWorks Ink

We recently launched our newest non-fiction book, Cream Money: Stories of Prairie People - and it was the most fun book launch ever. At least that's what the people in attendance said, and who are we to argue with them? It definitely was a great time!

Thirteen of the 30 people who contributed stories to this fascinating book were at our launch. Some of them drove almost three hours to be there! It was the first time I had met a number of these folks in person - I'd only talked to them by phone or email when editing the stories they submitted - so I was thrilled to shake their hands and thank them in person for contributing to our book. 

The launch began with a happy, casual atmosphere that continued throughout the afternoon. But first I'll bring you up to speed on what the book is about and why we published it.

Cream money was an important source of income for farm families on Canada's Prairies in days gone by. Farm women in particular - including my mother - milked the cows, separated the cream from the milk, then sold that cream and/or milk to neighbours, friends, and townspeople to earn a little extra cash. The money earned was used to purchase groceries, fabric, farm supplies, and other items that could not be produced on the farm. 

DriverWorks Ink, our publishing company based in Regina, Saskatchewan, Canada, produced this book to record some of this Prairie history and pay homage to this long-ago way of life. We're also making a donation to the Lung Association of Saskatchewan from some of the book's proceeds, by the way. I thought I'd add that detail before I forgot.

In the book's introduction, I wrote that my mother sold cream in pint and quart jars to families in town and in cream cans to the local creamery about once a week from the 1950s to the 1970s. With this money, she paid bills and purchased sugar, salt, fresh fruit, canning supplies and other grocery items that could not be grown or made on our farm. She bought fabric and sewing notions and, if we children happened to make a rare trip into town that week, we were sometimes allowed to spend 10 cents in any way we wished. As we grew older and farm finances allowed, we were sometimes each given a shiny quarter, which led to lengthy deliberations about whether we should spend it on bubble gum or chewy Mojo treats. Or should we spend our entire allowance on one bag of potato chips or one chocolate bar? Often we would make deals with each other and share our purchases after we returned to the farm with our bounty. (From Cream Money, "Introduction - My Family's Story" by Deana J. Driver)

The Cream Money book contains 29 short stories and two poems written by a variety of Prairie folks who talk about events on their farms during the 1920s right up to the mid-1980s. There are stories of hard work, fun, and adventure that honour family and community. You'll read humorous tales of children falling into full milk pails or mice falling into cream cans, and explanations of cream money well spent or other adventures during those years on the farm.

While I was compiling and editing the stories for the book, those who contributed their family's stories often expressed their gratefulness that these pieces of family history will be preserved through the book's publication. It has been a central piece to the work I do as a non-fiction writer and Prairie books publisher, so it was nice to hear that they understood the reasons that my husband Al and I published the book. Our contributors brought this grateful attitude and their excitement to our book launch and we were off to a great start when we saw two of the contributors at the launch venue, raring to go, as we were arriving to get set up!

We were fairly busy during the launch so we didn't take a lot of photos, but here are a few to give you a flavour of that great afternoon:

We set our Cream Money cake and a few lemon tarts on a table in between two old, empty cream cans. Just looking at those cream cans brought back a lot of memories and began some storytelling for folks.

I welcomed everyone and shared a bit of my family's story and the reasons we published this book. Some of what I said was similar to what you'll hear in this CTV Regina interview I did leading up to the launch.

Eleanor Sinclair of Fort Qu'Appelle, SK, (author of Our Lamps Were Heavy) spoke about the dairy cooperative's strike in the 1970s, which led to their farm having to get rid of vast quantities of milk and cream in any way possible while the strike was on.

Bryce Burnett, a rancher and cowboy poet from Swift Current, SK (who published his award-winning book Homegrown and other poems with DriverWorks Ink), shared his poem "Cream Cans," outlining the many uses these cans have had throughout their long lives. (Later, one of our other contributors told us that he had heard Bryce speak before but was excited to meet him at our launch. We were happy this event enabled the two of them to have a visit.)

Next, Dexter van Dyke of Regina, SK, shared his story of being involved in the milking process and benefiting from cream sales proceeds when he was a child.

Above are some of the people at our Regina launch. Janice Howden, a contributor from Saskatoon, spoke about the book on Saskatoon's Global TV. Here's that interview for you to enjoy.

Among the connections that were made between the people at the launch were some priceless moments that occurred between these two contributors. Roy Tollefson of Moose Jaw, SK, born in 1926, met Clara Puddell of Moose Jaw, born in 1924, at our launch. Their daughters work together in Swift Current, but these two had not met before. They quickly discovered that Clara knew one of Roy's siblings. They enjoyed talking about mutual acquaintances and much more. Amazing.

When the speeches and readings were finished, we asked all the contributors who were present to please get together for a group photo. As family and friends stood in front of us and snapped photo after photo with their cellphone cameras, we proudly held our books and grinned like the happy authors we are!

Back row l to r: Dexter van Dyke, Truus de Gooijer, Irene Bingham, Jerry Holfeld, Glenn Swallow, Maurice Giroux, Marlene Hunter, Bryce Burnett.

Front l to r: Roy Tollefson, Deana Driver, Clara Puddell, Ruth Wildeman.

(The cream cans on the book's cover came from Allan and Elisa Jackson and the book's cover design is by Erika Folnovic of Regina, SK. We also thank Creative Saskatchewan for assistance in producing the book.)

At one point in the afternoon, my husband and publishing partner, Al Driver, asked 89-year-old Roy Tollefson, "What does it feel like to be a published author?"

Roy replied, "I never thought that would happen. I helped with a community history book and I wrote a little piece for that but that doesn't count. This is really special."

We couldn't agree more.

Thank you to Roy and all the other contributors to our Cream Money book.  We hope all of you enjoy it as much as we enjoyed writing our stories and getting the book published.

Don't forget, you can purchase a signed copy from us here.

Happy reading!

World TB Day, the Lung Association and our Cream Money book

March 24th is World TB Day - the day to raise public awareness about tuberculosis and the fact this disease is still a threat in many countries of the world. According to the World Health Organization, tuberculosis (TB) is one of the world's top infectious killers.

The theme for World TB Day 2015 is 'Reach, Treat, Cure Everyone', to draw attention to the estimated 3 million people worldwide with TB who are not treated and cured. The Lung Association of Canada notes that in Canada, we have many world-class researchers working to find ways to treat and cure this disease. I am thankful for that.

In our immediate family, we have been affected by numerous health conditions affecting the lungs, including a TB scare faced by my mother-in-law, who was a nurse for all of her work life. My husband, Al, was hospitalized many times during his first few years of life because of severe asthma. As a child, he was so ill that he asked his mother if he could go back underneath the oxygen tent in his hospital room - so he could breathe better. I developed allergies and asthma as an adult - which are still a struggle for me - and both of our daughters have had difficulties with asthma over the years.

The scariest times were those which took any of us to the hospital. Being unable to breathe properly is frightening, and we would not wish that on anyone.

Last October, our eldest daughter, Lisa Driver, posted a message on her Facebook page in which she shared a music video that has a truly inspiring story attached to it. This is what Lisa posted:

     I was going to share this song anyways, because I love its message of living each day to the fullest.
     Then I watched the video and was truly touched by the dedication of the song to those with Cystic Fibrosis. When I was three, I had such severe asthma the doctors were worried it was CF. I haven't thought of that a lot and until this moment, didn't realize how close I came to a terminal diagnosis. I am so grateful for my health and this life.
     This video is worth the watch. Lisa

Al took our little Lisa to the hospital that day when she was struggling to breathe. He vividly recalls that moment when the doctor said that Lisa might have cystic fibrosis. It still shakes him to the core. We are so thankful that CF did not become a reality for her.

For months now, we have been working on producing a book called 'Cream Money - Stories of Prairie People', which will feature short stories told by people in Saskatchewan, Manitoba and Alberta, who grew up during a time when farmers collected and sold cream to subsidize their family's income. I am one of those Prairie people from that era. Part of my family's story will be in this book, which we plan to release in the next few months.

Our publishing company, DriverWorks Ink, has donated to various charities for years, from the proceeds of many of our books. Last fall, we were been mulling over the idea of whether to donate from Cream Money or not. Publishing is a tough business in which "every penny counts," as an industry person recently advised us at a Saskatchewan Publishers Group /SaskBooks conference. Still, we are Christian people and we give in gratitude for the gifts we have received. So money is nice, but sharing it is nicer.

After seeing Lisa's post and that incredible video last fall, we decided that we would give an annual donation from our Cream Money book sales to The Lung Association of Saskatchewan.

We look forward to releasing our Cream Money book in the next while (in which the cream can image below will play a central role), and to helping further raise awareness about lung diseases and find cures and treatments for diseases like TB, asthma, and many more.

We are in the final stages of editing the 30-plus stories that have been contributed to our Cream Money book. If you or someone you know still has a story to share about those days on the farm, please contact me by March 31 so we can make room for your submission.

Holiday Fun with Books, A Movie, and My Wedding Dress

Hi there. I hope you had a nice Christmas season. Ours was great, especially on Boxing Day, when both of our daughters and their partners were visiting from out-of-town and we were able to spend the evening with our son and his family.

On December 27th, I went shopping with our daughters and we visited a local bookstore - Chapters Gordon Road, Regina, SK - to buy some books, of course, and to see our own books on the shelves.

As an author and publisher, I always check out the 'Saskatchewan's Own', 'Local Authors', and 'Regional Interest' shelves of Canadian bookstores. Several of the books we've published are visible in this photo - the award-winning children's book Jamie and the Monster Bookroom is top left under the green sign, Interrupted With Bipolar is on the second shelf on the left, and my award-winning, best-selling Never Leave Your Wingman book is on the second shelf on the right.

      

No matter how many times I see books published by DriverWorks Ink on store shelves, that vision always sends a thrill through my body. I do love books ... and I love writing them, editing and publishing them. 

Watching first-time authors find their books on a bookstore shelf is also one of my favourite experiences.

Our daughter Lisa Driver found her award-winning spiritual wellness book, Opening Up: How To Develop Your Intuition And Work With Your Angels, on this bookstore shelf ...

...  right beside my award-winning Never Leave Your Wingman book! That makes sense. A book written by Lisa Driver should be beside a book written by Deana Driver. 

While at the mall that afternoon, the girls and I had a little fun with a wintery scene cut-out.

Our two daughters are in the top photo, while I am mugging it up with our youngest daughter, Dani, in the bottom photo. What fun!

Later that evening, before sitting down to watch the Corner Gas Movie (which Al and I had already seen, had thoroughly enjoyed, and were looking forward to seeing again), talk turned to Lisa and her fiancé Kyle's upcoming wedding.

Lisa had already chosen a wedding dress during a shopping trip in the fall, but I had not thought about my own wedding dress until this moment.

Our daughters were surprised to hear that my wedding dress has been in a vacuum-sealed storage box since Al and I were married in January 1976. We've moved the box with the rest of our things from apartment to house to house over the years.

You should have seen the looks on our daughter's faces when they heard this news. It was priceless.

Also priceless are these photos - which were taken as we pulled my dress out of its storage box for the first time in 39 years, and each of our daughters modelled my dress - just for fun.

I was pleased that the dress had been so well-preserved. (The blue in the sleeves is packaging to keep the lace from crumbling, I imagine.)

39 years later, the dress still looks great. I was impressed.

Lisa tried on my veil. Hmmm ... maybe she'll wear it as 'something borrowed'. We'll see.

She also checked our wedding photo to see what the veil looks like when it isn't all wrinkled.

 Dani got a kick out of my dress, too.

It's a little too big for her, but it was fun to see her wearing my dress anyway.

Lisa looked great in my dress, too, but it didn't fit her either. And those sleeve bands are not exactly in style today. Still ... you could 'shorten it and wear it again', as they said about bridesmaids' dresses in one of my favourite chick-flick movies, 27 Dresses.

Nah, I don't think that's going to happen.

After we put the dress back in its storage box - minus the vacuum seal - the girls asked how much my dress cost. They were surprised to find that I had many details recorded in our Wedding Album. (That's what I do - write it down!)

The dress was sewn by a woman in Regina. The satin fabric, lace, zipper, and veil cost a total of $39.32. (That was big money in those days.) Although I don't have a receipt from the seamstress, we recall that she charged about $100 to sew the dress. The fabric for the two red velvet bridesmaids' dresses totalled $90.73. Ah, those were the days.

Sharing these memories and my dress with our daughters was priceless. What a great day!

I also saw a note in our Wedding Album about a detail that Al and I had both forgotten. We went on our first date on January 7, 1974, when we were taking a Journalism Administration course at SAIT in Calgary. Exactly two years later, I was the main attraction at a bridal shower in Regina, Saskatchewan, just 10 days before our wedding. Wow. Time flies when you're having fun.

So on this, the 41st anniversary of our first date, I celebrate family. Especially my husband - and DriverWorks Ink publishing partner - Al Driver. 

Happy Anniversary, Al! And here's to many, many more!

Authors See Their Books for the First Time

Authors spend months - sometimes years - writing their books. They put their hearts and souls into their writing and they work closely with editors and publishers like me to provide the best books they can to potential readers everywhere.

As an author, editor and publisher, one of the most rewarding moments in this process of creating books comes when the author - or, in some cases, illustrator - sees their book for the first time. That first moment can be exciting, scary, nerve-wracking, thrilling, rewarding, some combination of those emotions or so much more.

This year, we assisted several authors and illustrators in creating their new books. We hope you enjoy their reactions to their books.

***

We weren't with Swift Current, Saskatchewan rancher and cowboy poet Bryce Burnett when he opened his first box of Homegrown and other poems books, but we're pretty sure Bryce looked like this when he saw his book for the first time...

...  because Bryce is just a happy kind of guy.

We caught up with Bryce at Swift Current's summer fair. He happily launched his book there and signed autographs for folks as well.

This is Bryce's first book and we are receiving wonderful responses to his poems, which celebrate rural life on the Canadian Prairies, community connections, love, laughter, and spirit and soul. The poems are sometimes funny, sometimes gentle, sometimes enlightening, and always well-written.

* * *

In August, we received two more new books from the printers. 

 

Here I am, holding the book and the bookmark for Jennifer Kuchinka's inspiring memoir, After the Truck Hit: Jennifer Kuchinka's True Story. 

The book details Jennifer's recovery from an accident in which she was hit by a semi after she ran out of a hospital onto a highway due to postpartum depression. Jennifer's story is quite incredible. She has recovered to the point that she is back to work as a teacher and is speaking at conferences across Canada to raise awareness of acquired brain injury and of postpartum depression.

When Jennifer received her first shipment of After the Truck Hit books, this first-time author sent us this photo of her reaction:

Looks like a pretty proud author. Or a pretty, proud author. 

(Punctuation is important, but both sentences in this case are accurate - and thus correct.)

Jennifer's book is also receiving accolades from readers and is one of the 'Wow!' books we have in our stable of true stories written by Prairie authors.

'Wow' is what customers say to us when they hear the book's storyline.

* * *

The second book we received from the printer that particular August day has a special place in our hearts, because it was written by our eldest daughter, Lisa Driver. 

  

Here are the proud editors/publishers/parents Al and Deana (me) Driver, with Lisa's book, Opening Up: How To Develop Your Intuition And Work With Your Angels.

This picture of us was taken by our eldest grandson, who happened to be visiting that day and begged to use my camera to take this important picture from his six-year-old's view of the action.

And what did Lisa, another first-time author, think of her book when she first saw it?

No caption is really necessary for this photo, but let's just say she was happy with it.

Lisa's book is the first spiritual wellness book we've produced, and we're happy about the positive response to it and to Lisa's message of health and healing.

This is one of the books that we've produced which have prompted people to come to us and say, "I need this book." Well done, Lisa!

* * *

Ten years ago, I met Mary Harelkin Bishop (a Saskatoon, Saskatchewan teacher and award-winning, prolific author) at a self-publishing workshop in Saskatoon. We became instant friends and have worked together on Mary's books Seeds of Hope: A Prairie Story and Moving Forward: The Journey of Paralympian Colette Bourgonje. 

Mary, above left, visited us in July to put the finishing touches on her new children's picture book Gina's Wheels, based on a true story related to a little girl who met Canadian Paralympian Colette Bourgonje.

Mary and I always have fun when we're working together, as you can tell by the big grins on our faces.

When Gina's Wheels arrived from the printers' shop, this was Mary's reaction:

"Just picked up my books. They look wonderful!" she told us.

We're pleased. The book tells a great story with a wonderful lesson of tolerance and acceptance of others. A clerk in a bookstore told us, "This book needs to exist." We heartily agree.

Gina's Wheels was illustrated by Saskatoon artist Diane L. Greenhorn, with chalk drawings. Nice, huh?

* * *

The fifth book we published in the past few months is Jamie and the Monster Bookroom, a children's picture book by Kerry Simpson and Jamie Simpson, illustrated by Regina artist Erika Folnović. It's about a little girl who loves the library and reading, and has a marvelous adventure in one of the rooms of her local library.

Here's the book and bookmark:

And here is how artist Erika Folnović reacted when we showed her the printed book:

Nervous ...

... and then happy.

But really, Erika?

That's your reaction?

Come on, girl.

Show us how you really feel about your first illustrated picture book.

There you go.

  That's the Erika we know and love!

(Erika also created the cover and inside illustrations of our award-winning humour book Letters to Jennifer from Maudie & Oliver by Sharon Gray, by the way.)

At the launch of Jamie and the Monster Bookroom in Regina, Saskatchewan a few days later, we asked author Kerry Simpson to show us her response when she saw the book for the first time:

Thrilled. 

Nice.

Definitely another happy, first-time author.

***

So there you are, folks. We hope you enjoyed these glimpses into some of the special moments in our publishing lives.

We look forward to adding more of them to our list, as we help authors create more stories for your reading enjoyment.

We invite you to talk to us about how we can help you publish your first book. Check here for more details.

Until then, take care.

********

P.S. A few days after I posted this blog, we received word that ALL FIVE of these new books received awards in the Great Midwest Book Festival competition in Chicago! We were so excited! 

Opening Up: How To Develop Your Intuition and Work With Your Angels by Lisa Driver was the Winner of the Spiritual category!

After the Truck Hit: Jennifer Kuchinka's True Story by Jennifer Kuchinka was awarded Honorable Mention in the Wild Card category.

Homegrown and other poems by Bryce Burnett was awarded Honorable Mention in the Poetry category.

Gina's Wheels by Mary Harelkin Bishop, illustrated by Diane L. Greenhorn, was awarded Honorable Mention in the Children's Books category.

Jamie and the Monster Bookroom by Kerry Simpson with Jamie Simpson, illustrated by Erika Folnović, was awarded Honorable Mention in the Children's Books category.

Congratulations to our authors and illustrators!

These five titles have now joined Seeds of Hope: A Prairie Story by Mary Harelkin Bishop, The Little Coat: The Story of Bob and Sue Elliott by Alan J. Buick, Never Leave Your Wingman: Dionne and Graham Warner's Story of Hope by Deana J. Driver, and Letters to Jennifer From Maudie & Oliver by Sharon Gray in our stable of award-winning books. Not bad for a small publishing house like ours!