Publishing the true stories of fascinating Prairie People and Unsung Heroes

Welcome to the blog of Deana Driver of DriverWorks Ink, a book publishing company based in Saskatchewan, Canada.
We publish stories of inspiring, fascinating Prairie people and unsung Canadian heroes - written by
Prairie authors including Deana Driver. We also assist authors in self-publishing their work. Visit our website and buy our books at

Thursday, May 24, 2018

Just a typical day in book publishing - or not

What’s happening in the world of DriverWorks Ink publishing?

I’ve been asked on occasion what it’s like to work in the book publishing industry. This seems as good a time as any to give you a peek into my work life as a small, sole-proprietor, book publisher in Canada. Hold on, 'cause there's a lot going on!

Since I went back to work this week after enjoying three almost-uninterrupted weeks of vacationing in Europe (with Saskatoon author and friend Janice Howden), the wheels of my publishing company – mentally and physically-speaking – have been constantly turning. (By the way, the vacation was amazing. You can view some photos and videos on the DriverWorks Ink Facebook page or YouTube channel, or my Instagram.) 
Deana Driver and Janice Howden enjoying their first view of tulip fields in the Netherlands, April 2018

Within the first two days of being back at work, I mailed and/or shipped some book orders to people who ordered from our website (thank you!) and to bookstores and other purchasers (thank you!). These orders were in addition to those my daughter Dani shipped while I was away. Thank you, Dani, for taking such good care of DriverWorks Ink while I was away!

In the pile of mail waiting for me, I found a beautiful magazine from the CanadianChildren’s Book Centre. They’ve named Skye Bird and the Eagle Feather, which is Saskatoon author Mary Harelkin Bishop’s latest children’s novel, as one of the 2018 Best Books for Kids and Teens, in Junior and Intermediate Fiction! Skye Bird is about a First Nations girl who is determined to make her new school a friendly, welcoming place for herself and her friends. This great kids’ story is one of only two Saskatchewan-published books included on the Best Books list – the other book is also from a small, hybrid publisher in Saskatchewan – so that’s quite an honour that we will gratefully cherish. 

To follow up on that honour, I was delighted to ship some boxes of Skye Bird and the Eagle Feather books to Chapters Indigo to be sold on a national scale. So look for it soon at a bookstore near you. Or you can always buy it from our website. (Schools and libraries should contact me directly for a discount.)

And then there is this – two new books arrived from the printer just before I went away on vacation, so that was fun! And hectic. Once a new book arrives at my door, the hard work of creating it is done and the process continues to get it out to market. That includes sending information to all the bookstores and other vendors, to media about launch and signing dates, getting the book up onto our web page and social media pages, as well as the sites we partner with, and working our tails off (I’m talking about myself and the authors) to let people know about these great new books. (That "people" includes you. I’m telling you now. 😊)
ISBN 978-1-92757043-2   $14.95

Dear Me: The Widow Letters is a compilation of letters collected by Dianne Young of Martensville. Dianne is a widow who asked other widows what they would say if they could write a letter back to their newly-widowed selves. Twenty widows, including Dianne and me, wrote letters to ourselves, which we’ve published in this book. The letters will help not only widows to see they are not alone and that they can survive their devastating losses, but the book will help others who are connected to widows but are not sure what to say or do. Personally, I learned something from every one of the letters and, sadly, I related to at least one thing that was said by each of the different widows in their individual letters. What a beautiful book.

ISBN 978-1-92757042-5   $19.95

Possessions: their role in anger, greed, envy, jealousy, and death is a fascinating new book by Saskatoon author Boris Kishchuk in which he considers why people do some of the negative things they do. Boris takes a sociological approach, using historical and modern-day examples to show how desire for possessions has led to some devastating consequences within North America and the world, including murder, corruption, and war. Religious beliefs, corporate greed, self-identity, and the desire for power are among the topics in this thought-provoking book.

Psst!  You can buy both of our new books, Dear Me: The Widow Letters and Possessions, with a specific link on our website's Shop page and save $5! Just saying.

Dear Me: The Widow Letters:
Launch - Thursday, May 31st, 7 pm (St. Martin's United Church, 2617 Clarence Ave. S., Saskatoon)
Signing - Saturday, June 2nd, 1-3 pm (McNally Robinson, 3130 - 8 St. E., Saskatoon)
Reading - Tuesday, June 5th, 7 pm (Martensville Library, 66 Main St., Martensville)
Reading - Wednesday, June 6th, 7 pm (John M. Cuelenaere Public Library, 125 - 12 St. E., Prince Albert)
Reading - Thursday, June 7th, 7 pm (Weyburn Public Library, 45 Bison Ave., Weyburn)
Regina Launch - Friday, June 8th, 7 pm (Chapters, Southland Mall, Regina)

Launch - Tuesday, May 29th at 7pm. (McNally Robinson, 3130 - 8 St. E., Saskatoon)

Dianne Young will also be interviewed by various media about Dear Me: The Widow Letters. Those details are on our News and Events page.

And, as if that isn’t enough going on, I’ve also been talking with Swift Current cowboy poet Bryce Burnett to continue working on the manuscript and images for his new book Horses, Dogs and Wives, which we’re releasing this summer. Bryce’s first book of poetry, Homegrown and other poems, won third place in the prestigious Will Rogers Medallion Awards in Texas, and we anticipate Bryce's new book will be a barn-burning (not literally) follow-up!

But wait - we’re not done talking about the new stuff yet!

One of our authors, Jim Hopson, is being inducted into the Saskatchewan Roughriders' Plaza of Honour in August. How cool is that! This well-deserved honour for Jim affects me, his publisher, in two ways. I’ve been asked to provide photos from Jim's book Running the Riders: My Decade as CEOof Canada’s Team, and I’m also working with the Riders on promotion and book sales possibilities for the book (which was co-authored by Regina sports writer Darrell Davis). 

Also in the past two days ... I contacted three authors about more promotion ideas for their books, made arrangements to be interviewed about publishing options for Saskatchewan writers, agreed to proofread and provide feedback on a manuscript, finished updating my website, picked up some office supplies, and obtained information for an e-book production company. Wowee! Welcome back from vacation! (I took breaks, of course, to eat, sleep, watch TV, visit and hug my children and grandchildren, and water and enjoy my flower garden - not necessarily in that order.)

Soon, I’ll be packing up some books for this Saturday’s booth (May 26/18) at the Cathedral Village Street Fair in Regina! My booth #235 will be on 13th Avenue, just east of Rae Street, in front of Aware House Books (which happens to also sell Lisa Driver’s three angel-reader books)!

So that is fun, fun, fun, fun, fun, and FUN!

I can’t wait to see what the rest of this week brings.

Tuesday, April 17, 2018

Creative Saskatchewan changes to book publishing production grant leave 40 Sask publishers out in cold

DriverWorks Ink is extremely disappointed that Creative Saskatchewan (CS) has chosen to stop accepting book publishing production grant applications for any book that is published with use of author funds. Due to this change in criteria and because of our business model, DriverWorks Ink will no longer be eligible to apply for book publishing production grants from Creative Saskatchewan. As a writer, author, editor, book publisher, entrepreneur, and former journalist, I am frustrated enough to write about this appalling, unexplained turn of events.

DriverWorks Ink is a hybrid book publisher that, since 2008, has worked in partnership with authors to publish books about Prairie people written by Saskatchewan and other Prairie writers. We have been successful in obtaining funding for more than a dozen books in the last five years. This makes it especially disheartening to be told that our product is no longer good enough to even apply.

Most of our books which received grant money returned a profit (income over production costs), and many of them were profitable within the first six months to a year. Our profits come from book sales, with authors receiving royalties from those sales. Our goal is profitability. Commercial viability is the original main goal of the production grant.

Six of these nine of our CS-grant-receiving books that were published with author investment have also won awards.

With Creative Saskatchewan’s announcement on April 16, 2018, the grant’s name also changed from Creative Industries Production Grant to Book Publishing Grant. In my jaded view, this more clearly singles out book publishing and, it feels to me, takes aim at significantly reducing the number of wonderful, important books published in this province. I will not say that it will sound a death knell to our book publishing industry – we are stronger than that – but it will change the landscape significantly. Not in a good way.

The new eligibility criteria for the CS Book Publishing Grant means that only five or six of the 45 book publishers in Saskatchewan will have eligible book projects. It means that 40 of the publisher members of SaskBooks/Saskatchewan Publishers Group, including DriverWorks Ink, will no longer be eligible to apply for book publishing production grant support from Creative Saskatchewan as most, if not all, of their published books include income investment from authors. Although we may still apply for funding to assist with marketing and business capacity development, many amazing Saskatchewan-based books will not be published because of lack of funds, and there will be little point in marketing or growing a business that has no new product.

The new criteria states that books with support from the Canada Book Fund (federal funding) may be eligible for “fast-track” approval without jury adjudication. Creative Saskatchewan’s website states: Our investments propel creative entrepreneurs as they create, innovate, expand, and perform, in their pursuit of commercial success.” While I support funding from provincial granting agencies for any worthwhile book projects, I am extremely concerned that this change to Creative Saskatchewan’s book publishing fund provides potentially guaranteed funding for book projects subsidized by other agencies and not even a consideration of funding for entrepreneur models that have a good book to publish which will sell commercially and add to the province’s GDP – which are three of Creative Saskatchewan’s mandated goals.

The Book Publishing Grant’s new criteria requires that eligible applicants must have been in operation for two years and have four eligible (read “with no author funds”) titles in print essentially blocks our industry’s growth because actual entrepreneurs and those starting in the industry have no access to funding support. It goes against why Creative Saskatchewan was set up in the first place.

This province, unlike the other jurisdictions in Canada, has never made a practice of supporting trade publishing (which is the general-audience scope for most of the DriverWorks Ink books), so trade publishing had to come up with an alternative model which includes hybrid and self-publishing.* (*See Addendum below.) That model in Saskatchewan has become an accepted practice in the industry across North America, but Creative Saskatchewan’s guidelines seem to be ill-advisedly supporting only publishing projects which may already receive product investment from the public sector. Why is that? 

I am concerned for the future of our vibrant book publishing industry in Saskatchewan, in which I have worked for the past 17 years. I have watched it grow in strength and quality and I am grateful to Creative Saskatchewan for assisting with some of that growth. More than 100 books are published annually in Saskatchewan – most of them by the smaller publishing houses. I fear that the numbers will decrease significantly because of this change in the grant program, important cultural books will go unpublished and businesses will close their doors.

When I was a board member of SaskBooks, the creative industry member organization for publishers in the province, I spent dozens of hours at the board table with various representatives of Creative Saskatchewan, many of whom had come to CS from other creative industries and knew very little about book publishing. I thought we had provided education on the diverse and commercially viable business models in the publishing sector and how our member publishers collectively believe that funds coming in from one source versus another is irrelevant to the stated goals of the grant – commercial viability and growing the province’s GDP. I thought we had proven time and again the value of our member organization’s programs and processes.

I love Saskatchewan, which is built on the entrepreneurial spirit, and I am deeply concerned by this withdrawal of support for valuable books produced by entrepreneurs. I ask Creative Saskatchewan to reconsider this decision.

Creative entrepreneurs focussed on the commercial success of their published books and businesses are being excluded from the publishing grant application process. It’s time to correct this error and do it quickly. We have stories to tell and we want your help to do so, Creative Saskatchewan. 

* Added April 18, 2018Every other provinces in Canada supports the publishing of trade books through various forms of provincial funding. For example, a publisher of tourism books in Alberta and British Columbia is eligible for provincial funding. In Saskatchewan, Parkland Publishing has published numerous award-winning, best-selling tourism books about Saskatchewan but is no longer eligible to apply for a book production grant. In Manitoba, a publisher who produces non-fiction trade books similar to those of DriverWorks Ink is eligible for provincial funding to help with infrastructure and business expenses. There is no such support from the Saskatchewan government for DriverWorks Ink or other small publishers. Business models such as hybrid publishing or self-published-author publishing grew here to keep the industry active and to publish more Saskatchewan-based books for our readers.

About 30 authors per year plus numerous artists, graphic designers and printers are affected by this withdrawal of Saskatchewan funding availability. Recently, the Writers Guild of Canada opened up membership eligibility to self-published authors. The library system in Greater Vancouver launched a campaign of awareness of self-published authors because they noticed so many self-published books of quality coming into their libraries. The change is happening across Canada to recognize books based on content and quality, not on input funding methods. Self-published authors and hybrid publishers have submitted production grant applications to Creative Saskatchewan in the past only for books of quality that are marketable and will turn a profit, as required by the former criteria. It is irrelevant whether the publisher's funding comes from a federal grant, the business itself, a gift of funds, a GoFundMe page, or somewhere else.

Please share this information. Please comment on it.

Please support all Saskatchewan publishers (and our authors), including hybrid publishers and self-published authors.

Please contact Creative Saskatchewan, your local media, the Ministry of Parks, Culture and Sports, and/or your local and provincial politicians to tell them you want funding continued for all Saskatchewan publishers, without discrimination against their business models or input funding methods.

A Regina Leader-Post newspaper article about the cuts is here.

Thursday, March 1, 2018

Five Things you can say in February in the Bahamas but not in Saskatchewan

I recently had the opportunity to travel to Nassau, Bahamas for a week of vacation with my youngest daughter, Dani.

We had a wonderful, restful time.

The differences between the weather we left at home in Saskatchewan, Canada and what we experienced in the Bahamas were striking. See for yourself.

Here's my idea of  "Five Things you can say in February in the Bahamas but not in Saskatchewan":

1. "My swimsuit is still wet, but I'll put it on anyway. It'll dry quickly."

It was 28 degrees Celsius in Nassau every day we were there, even after a little rain fell on a couple of evenings. Saskatchewan weather was unusually warm when we were away, ranging from 1 degree to minus 16 Celsius, but it was no 28!

2. "There's a turtle!"

One of our biggest hopes was to see a sea turtle in the ocean, and we had that wish come true every day as we looked out from a nearby pier. The turtle didn't come close enough for a great photo, but we'll carry those images and excitement in our hearts. The turtle on the right is a horsehair pottery souvenir purchased in Arizona years ago.

3. "Look at those pretty flowers!"

Tropical flowers versus frozen rose bushes. Sigh. We can hardly wait for summer in Saskatchewan.

4. "Oh, thank God for that wind! It would be so hot otherwise."

Even though the wind stirred up the ocean and blew my hair all over the place, I love the feeling of standing on a pier, staring at the clear blue water. The wind in Regina, Saskatchewan, on the other hand, can be downright nasty. Even after wearing my toque yesterday while going for a long walk, my ears hurt for hours. Sigh again. But Saskatchewan is home and I love it here.

Which leads nicely into the final thing
you can say in the Bahamas in February
but you can't say it in Saskatchewan...

"I'm just going to leave my shoes here and go barefoot for awhile."  

 Nope. Not even for a minute.
Underneath those cold feet on the right are flip-flops sitting in the snow. I'm not that crazy!

Have a great day, everyone!

Wednesday, February 14, 2018

Do they celebrate Valentine's Day in Heaven?

Today is Valentine's Day, a day we are supposed to celebrate the one person who loves us and whom we love. For many people, it's just another day. No big deal. And that is as it should be.

Why put pressure on ourselves if we happen to be single, without a partner, on February 14th?

Wait until tomorrow, buy yourself a box of chocolates on sale, and carry on.

My late husband Al and I rarely celebrated Valentine's Day. We preferred to tell each other "I love you" every day and we avoided the commercialism of Valentine's Day after our first few years of marriage.

February 14th was always special in another way, though, because it is my mom's birthday. She was a Valentine's Day baby, but she rarely celebrated it.

In our Ukrainian-Polish farm family, we didn't make a big deal about birthdays. If someone wished us a happy birthday or we received a gift of pyjamas or maybe a candy bar or - wow! - a cake, that was about it for a celebration. In fact, a celebration was unusual. As we got older, we sometimes were allowed to invite a friend to take the bus home from school and sleep over at our house. That's a celebration in itself to farm kids. 

In Al's English-Irish city family, birthdays were a HUGE deal! Your birthday day was "all about you" and you didn't even have to do dishes that day! What a shock to my system.

Poor Al. His farm-kid wife never really understood this concept. It took him most of our married life to convince me that I was worth fussing over on my birthday. My kids have since taken over that burden to make me feel special, and they're doing a fine job of it.

Today, I am alone but not alone. My beautiful daughter-in-law Kelli dropped by with a lemon loaf that she knows I like, and we shared hugs and a nice visit.

I'm going for a pedicure with my youngest daughter Dani after work. It will be the first pedicure for her and we are excited. I have also connected with our son, our oldest daughter, and the other in-laws. Everyone is fine.

And in honour of love today, I put on a new shirt covered with a dragonflies pattern - a fascinating creature that reminds me of my late mom and my dear departed husband.

I hope they are dancing together in Heaven. I'm sure Al is making sure that today is all about Mom. Do they do dishes in Heaven?

My parents, me and Al, Al's parents in the late 1990s

Tuesday, January 23, 2018

Kintsugi Art and Healing From Grief

I broke some pottery the other day.

On purpose.

I hit it with a hammer.  Then I took the broken pieces of that beautiful piece of pottery and put them back together. With glue. Then I painted over the cracks with gold paint and glitter.

It was a healing exercise.

The pottery repair was one of the activities during self-care time at an all-day grief retreat hosted by Palliative Care Services, Saskatchewan Health Authority. The activity is called kintsugi, a Japanese art form meaning golden joinery, in which broken pieces are considered an essential part of the object and are embraced and highlighted instead of hidden.

At the start of the kintsugi exercise, we each chose a piece to work on. We were asked to look at the whole, complete piece of pottery before we broke it and view it as though it was ourselves before we lost our loved ones.

We put the pottery piece inside a plastic bag, then inside an old pillowcase and tapped it with a hammer. We took the broken pieces out and carefully "rejoined" them using glue, masking tape, and help from others to hold them together until the glue set.

Then we either put more glue onto the cracks and sprinkled glitter over them or we painted the cracks with gold glittery paint. I did both. There was glitter everywhere. Many hands helped me along the way. A metaphor for healing.

I attended the first Heart 2 Heart Family Grief Retreat, held in July 2017, as a participant (read my blog post). It was a wonderful, full day of talking, crying, healing, and more. Since then, I helped co-facilitate a bereavement support group and I was honoured last fall to be asked to be one of the 40 or so volunteers for this January grief retreat.

Unlike some retreats and workshops Ive attended in the past, the volunteers for Heart 2 Heart did more than lead the various groups for Loss of Child, Sibling, Parent or Spouse. They also actively participated in much of the days program, because they too had lost someone they loved a family member or a close friend.

My role at the grief retreat was to provide peer support for a Loss of Spouse group, sharing a bit of my story about my husbands death two years ago and talking about what has helped me on my grief journey. I know, from my own time as a participant and from other bereavement support I have received, that the words and actions of others have helped me. My goal was to help those who are just beginning their journey after losing their spouse.

The volunteers and participants shared their stories, insights and coping skills within the specific groups. During self-care time, the participants experienced massage, yoga or meditation, walked the outdoor labyrinth to reflect, or joined a discussion group to talk more about their loss and about strategies for moving forward. We ate meals together, allowing for more conversation, and finished the day with a memorial service complete with a choir (in which I participated) and the beautiful piano accompaniment of our leader, Bereavement and Volunteer Co-ordinator Marlene Jackson. Without her dedication and skills, this day would not have happened and I definitely would not have been there. I owe her much gratitude for helping me along my path.

There were many tears shed that day, but there was also much healing.

I came home from the grief retreat completely exhausted. Mentally, emotionally and physically.

But I met some wonderful people participants and volunteers. That made the day good.

I knew I had healed a bit more. That made the day great.

And I knew I had helped others on their journey. That made the day amazing.

I also came home with a beautiful piece of repaired pottery a physical reminder of my grief journey.

The repairs to my pottery are not perfect, but neither is my grief. The glue and glitter are bumpy and lumpy and messy in spots. So is my grief.

The cracked lines may join the pieces together but there are still holes in my pottery and there are cracks that I did not yet glue together.

Such is my grief.

Such is my life after loss.

I will always miss my late husband Al. I am still profoundly sad and there are tears shed almost every day, but I am allowing myself to feel my pain and I am working through it.

There will be a hole in my heart every day for the rest of my life because of his death, but events like this grief retreat and bereavement counselling have helped me start to heal those cracks and carry on the best I can.

My brokenness is part of me. I will hold it together as best I can and maybe, occasionally, at events like the grief retreat, I can even show it off, helping others along the way.

(Another of my blog posts you may be interested in, What I've Learned About Grief, includes tips for those who are grieving and what to say and not say to the bereaved)

Thursday, December 7, 2017

Seeing this "Little Coat" inspired a country singer to write an award-winning book

Canadian soldier Bob Elliott and his crew asked a Dutch seamstress to make this child's coat from a Canadian Army blanket. The buttons came from the soldiers' tunics. The soldiers gave the coat to their "good-luck charm", 10-year-old Sussie Cretier, on Christmas Day 1944.
Alan J. Buick was a full-time carpentry instructor and a part-time country singer when he noticed the unique child's coat in a case on display in Olds, Alberta. Here is  what the first glimpse of that little coat meant to him:

Seeing the “little coat” for the first time - at the Royal Canadian Legion in Olds, Alberta in September 2004 - filled me with bewilderment more than passion. I asked a friend, who had come to hear my wife Carol and I play music that night, why this coat with Canadian Army buttons was displayed with all the wartime memorabilia; it was far too small for a soldier to have worn. My friend proceeded to relate some of the story behind its creation – it was a Christmas gift in 1944 from Canadian soldiers to a 10-year-old Dutch girl who had become a good-luck charm for them; she later brought the coat to Canada.

It was then that my passion for this tale began.

The most powerful moment was when I learned that the little Dutch girl who wore the coat and the soldier who gave it to her were not only still alive in 2004, but married to each other! I knew I had an epic by the tail! I had to find out more.

I contacted Bob and Sue Elliott - the Canadian soldier and the Dutch girl - who were at that time living in the Netherlands. The email address I'd been given for them failed, so snail mail was the only other choice. They replied to my letter and the journey to turn their story into a book began.

These were Sue's words: "I have no problem telling you what it was like growing up under Nazi rule, but good luck when you get to Bob!”

She was right. Bob, like many veterans, preferred not to talk about the horrors of war; the recollections opened old wounds long forgotten.

Bob and Sue and I met face-to-face at the Royal Canadian Legion hall in Olds, Alberta in October 2005 to discuss the procedure for writing this book. It was a truly amazing day. Just talking to these two wonderful people who had endured so much was an awe-inspiring experience for me.

Bob and Sue (Sussie) Elliott in 2005 with Sue's little coat on display at the Royal Canadian Legion in Olds, Alberta, Canada.

I knew I had not collected all the information I needed that day. The journey I had chosen was both humbling and difficult. I was dealing with 65-year-old memories! A good example of this was the day before my publisher, Deana Driver, was to send the manuscript off to print, Sue told me of the German soldier who visited with her family frequently. This information had to be included in the book as it showed how not all German people were evil.

At the close of our 2005 meeting, Sue asked me what she should do with her little coat. I said it should be in a museum, where it would inform future generations of the compassion and generosity Canadian soldiers had for the emaciated and spiritually worn-down peoples of the Netherlands. They contacted the Canadian War Museum, which promptly sent two representatives to the Olds Legion to carefully prepare this ancient garment for the long flight to Ottawa.

Alan J. Buick, author of the award-winning, Canadian best-selling book The Little Coat: The Bob and Sue Elliott Story, available from
Prior to the official book launch, scheduled to take place at the Olds Legion on November 11, 2009, a pre-launch gathering was held at the Armoury Officers' Mess in Regina. As strange as it may sound and with fate in our corner, one of the officials from the Embassy of the Kingdom of the Netherlands happened to be present that night, Hans Moor. We gave him a copy of my book, The Little Coat: The Bob and Sue Elliott Story, and he read it on his flight back to Ottawa.

A few weeks later, I was invited by him to attend a function at the Canadian War Museum in Ottawa to honour the Canadian soldiers of World War II who repatriated the Netherlands. This was an amazing evening. There was I, a New Zealand farmboy, rubbing shoulders and chatting with Dutch Ambassador Wim Geerts and General Charles Belzile, retired commander of the Canadian Forces! A truly humbling and memorable experience.

My most touching moment on that trip was seeing "the child's coat" in its restored state and mounted in a beautiful glass case, complete with a bronze plaque briefly explaining what it was and what it represented. It literally brought me to tears. The War Museum staff had done an excellent job of presenting this wonderful artifact.

Alan J. Buick seeing the child's coat at the Canadian War Museum.
(Photo courtesy of Hans Moor, Embassy of the Kingdom of the Netherlands, Ottawa, ON) 

It is difficult to pinpoint any incident I told in The Little Coat book as being more significant than another but, if I were to pick just one, it would be when Sussie's (Sue's) family escaped on foot for two kilometres to the safety of the Canadian lines while her family was under fire from German soldiers.

The Little Coat is a perennial story, a story of love and compassion, of terror and human relationships – a perfect gift for men, women, and children ages 10 and up, or even just because. Once you read it, you'll understand the gratitude the Dutch still have for Canadians today and forever. This book captures the true compassion of the Canadian soldiers for the Dutch people in their darkest hour.

Editor's note: The Little Coat: The Bob and Sue Elliott Story was awarded Honourable Mention, 2010 Hollywood Book Festival. $4,500 from sales of The Little Coat has been donated to the Royal Canadian Legion Dominion Command Poppy Trust Fund. $1 from every book sold from 2013 on is donated to the Canadian War Museum, the new home of the 'child's coat' in this inspiring war story turned love story.

Friday, November 17, 2017

A haircut and a hug from Poland

On a particularly emotional day a few months ago, I decided to get a haircut. I had been missing my departed loved ones – my husband, my parents, and my parents-in-laws – more than usual. I needed to do something to boost my spirits.

Instead of going to my usual salon, I went to a new place.

I am the kind of person who doesn't really enjoy chatting the whole time that my hair is being cut - partly because I can't see without my glasses on and partly because I am not comfortable chatting or sharing details of my personal life with a room full of strangers.

But this day was different.

The woman who cut my hair had an accent. My curious journalist-self kicked in and I asked her where she was from.

"Poland," she said.

Interesting, I thought.

"My mother was born in Poland, and my dad was born in a part of Ukraine that was Poland at one time," I told her.

This led to a conversation about whether I speak the Polish language (I don't); how long she's been in Canada (two years; she and her husband came for better work opportunities); how I and my husband wanted to go to Poland when we were in Europe in 2013 but we ran out of time, however my youngest sister went to Ukraine that year and saw the area where our dad was born. 

The hairdresser asked whether I make any Polish food.

"I don't but my mom made perogies and cabbages rolls. What kinds of food do you make?" I asked her.

She told me she likes perogies, but she puts all kinds of different things in them - "white cheese, broccoli, garlic  - delicious!" 

Just then, I glanced up as she was trimming on one side of my head and I saw her name tag.

I was dumbfounded. "Oh my gosh! That's my mother's name!" I exclaimed. "Agnes."

"Yes," she replied. "It is hard for people to say here."

I miss my mother very much. She was a strong, faithful Christian woman with a zany sense of humour and a passion for bright-coloured blouses.

I sat in awe of this circumstance – a Polish hairdresser who shared the same name as my mom.

I will not call it is a coincidence. In my daughter Lisa Driver’s first award-winning book, Opening Up: How To Develop Your Intuition and WorkWith Your Angels, she notes that what we often think of as “coincidences” are actually signs that the universe is sending us a message. Our angels want to let us know they are with us. I have had too many “coincidence” experiences in my life to just set these aside as accidental. The probabilities of me going to that shop on that day at that time when that particular hairdresser was available to cut my hair are too big to comprehend. Everything aligned for that to happen.

I sat and enjoyed the rest of the cut – which is difficult to do when you’re almost blind without your glasses on!

When the haircut was done, I put my glasses back on and noticed a keychain that was hanging on the drawer handle in front of the salon chair.

"I love Poland," it said.

I smiled.

I asked if I could take a photo of it.

 “Yes,” Agnesiewska replied. “This is better, " she added as she turned the ornament around to show me the other side of it.

"I Love Polska."

Much better.

I felt a huge grin forming on my face. A message of love from my angel mom. A reminder of my Polish heritage.

As I was paying for the trim, Agnesiewska asked me, "Your mother - she lives?" 

"No,” I replied. “She passed away in 2011.”

"Oh... I sorry." 

This precious Polish woman paused just long enough for me to let her response sink in.

Then she sighed and added, "Ah... Life!"

Life indeed.